His experience as photographer goes back to the activity as photojournalist in 1984.
Most of his work reveals, through time, a taste for industrial photography, although the themes related to heritage and people have also fascinated him.
António Cabral knows better than anyone that the language of photography is universal, but he also knows it has something mythological. He knows there is a context. And an object. And a time.
Beside his activity as photographer, António Cabral is a sensitive man who gives life to images and makes them immense and attractive.
